I’ve been filming various events and promos with Brisbane Powerhouse for much of 2015, all the while colluding with them to combine the huge breadth of footage I was capturing into a TV ad which showcases the Powerhouse as a whole.
We dubbed this project the Destination Trailer. It’s part of their Discover Brisbane Powerhouse campaign, which launched in November 2015.
The piece distilled months of filming into precisely 20 seconds, because Television. To include some more awesome stuff we’ve also produced an extended “Director’s Cut” for web. Continue reading Brisbane Powerhouse – Discover Brisbane Powerhouse: TV Advertisement
My collaboration with Brisbane Powerhouse continues, with a promo for the 2015 IRL Digital Festival!
Continue reading Brisbane Powerhouse – IRL Digital Festival: Promo
Hyper-low-budget, single shot experiment in time ramping.
Continue reading Go Van Go – Known Better: Music Video
The third Graetzmedia music video for Violent Soho. Trying to keep their quintessentially Australian Suburbs image intact, while throwing some technological head-trip curve balls at their THC-addled fans.
We spent a lovely day in an excellent, naturally art-directed Queenslander house, running the robot back and forth endlessly. It went Rather Well Indeed.
Continue reading Violent Soho – Fur Eyes: Music Video
I’m fascinated by timelapse, and I’ve wanted to shoot someone sleeping for ages. Not in a creepy way, you understand. It’s just that slow-motion and timelapse videos reveal stuff we don’t usually get to see as humans shackled to linear time. As a VJ I do a lot of thinking about different ways of using projection. I’ve used projection mapping in the past on buildings and inanimate objects. So sleeping dudes seemed like a completely obvious next step.
It was surprising how little convincing was required to get Little Odessa on board with the concept. My pitch was “All four of you, asleep in a bed together, with a projector blaring in your eyes. It’s likely to be the worst night’s sleep of your entire life.” They were instantly, unanimously in favour of the idea. Continue reading Little Odessa – All Night: Music Video
As soon as my producer friend Matt Redlich moved his recording studio into the spectacularly beautiful wooden building he dubbed Grandma’s Place, I wanted to film a music video there. Matt had just finished recording Ball Park Music’s new album, so I organised a meeting between the band and the Graetzmedia crew to see what would come.
The challenge: Reinvigorate an old-style “random stuff happening in various places” music video concept with some next-level VFX and motion control.
In collaboration with director Dan Graetz, I did a bunch of science, taught the Motion Control robot to pull perfect Hitchcock Zooms time after time, shot some crazy multi-pass performance shots to create virtual choirs, and came up with a plant-growing timelapse/realtime “seed charmer” shot which blows minds on the reg. Continue reading Ball Park Music – Surrender: Music Video
Since taking delivery of his camBLOCK Motion Control rig, Graetzmedia director Dan wanted to shoot a piece seamlessly combining timelapse with slow-motion shots. Collaborating with iconic skate brand Z-Flex was the perfect opportunity.
A detailed pre-production shoot allowed us to test our compositing techniques and locations, and make sure the shots we’d planned were going to work without too much painstaking rotoscoping.
This video won a Gold in the “Experimental” category at the 2012 Australian Cinematography Society Queensland awards, and went on to win the Golden Tripod at the National ACS awards!
It also features the beautiful soundtrack of Cowper – Morning Prayer, which I’d filmed with the camBLOCK a few weeks before.
There was a lot of industry love for this piece, so I edited a behind the scenes piece for Graetzmedia, to show everyone how it all went down:
Continue reading Z-Flex Skateboards – Jimmy Plumer Skatelapse: Advertisement