Australia is lucky to have one of the greatest youth-oriented national broadcasters on the planet – Triple J. Their weekly current affairs show Hack covers a huge variety of topics, and an excellent example of this is my interview about working on VR and music performance being introduced by 10 minutes of Tinder Date Murder Trial coverage. [Skip to 11:00 to avoid murders]
After completing the Nihilist Party Album video, the Ball Park guys spent a couple of hours trying my Vive VR rig, and they were quickly on board with the idea that their next video should be produced in VR. Continue reading Ball Park Music – Whipping Boy: Music Video created in Tilt Brush/Virtual Reality
Another collaboration between Graetzmedia and the amazing humans of Ball Park Music.
The “house” and “science lab” scenes of this piece were all shot at my home, I invented the ejector-pants, and shot B-cam angles for the performance scenes. (Also: Sneaky bus stop cameo, so I could be on hand to reset the ejector pants between takes.)
As soon as my producer friend Matt Redlich moved his recording studio into the spectacularly beautiful wooden building he dubbed Grandma’s Place, I wanted to film a music video there. Matt had just finished recording Ball Park Music’s new album, so I organised a meeting between the band and the Graetzmedia crew to see what would come.
The challenge: Reinvigorate an old-style “random stuff happening in various places” music video concept with some next-level VFX and motion control.
In collaboration with director Dan Graetz, I did a bunch of science, taught the Motion Control robot to pull perfect Hitchcock Zooms time after time, shot some crazy multi-pass performance shots to create virtual choirs, and came up with a plant-growing timelapse/realtime “seed charmer” shot which blows minds on the reg. Continue reading Ball Park Music – Surrender: Music Video