After completing the Nihilist Party Album video, the Ball Park guys spent a couple of hours trying my Vive VR rig, and they were quickly on board with the idea that their next video should be produced in VR.
Following up WAAX’s Wisdom Teeth video, we needed a clip which would deliver their fresh new lineup to the world, while giving plenty of focus to Marie’s ferocious presence.
WAAX are a band of punk-as-rock, hectic kids. Their track “Wisdom Teeth” had been creeping up on Triple J and Unearthed for a couple of months, and needed a quick clip that would match the intensity of their sound and live presence.
A dark, hot room filled with smoke and lasers. Who doesn’t want that in their life? Lighting is all controlled via my audio-reactive lighting system, each light pulse is directly controlled by the sound of the instruments and vocals.
Directed, Shot, Edited, Laser and Lighting Programmed by Jaymis
Filmed at Regent Station
Camera gear courtesy of Graetzmedia
After designing and 3D-printing modifications to convert our 3-axis camBLOCK motion control system into a monster 5-axis crane rig, I needed a project to test out the system. Fortunately my buddies Little Scout were about to release their new single, and the aesthetic perfectly fit the multi-pass, audio-reactive ideas in my head.
Motion control gave me some delightfully crane-y multi-pass camera moves, and audio reactive lighting made the band members magically appear only when their instruments made noise.
This clip won Gold in the Music Videos category at the Australian Cinematography Society’s 2013 Queensland awards.
I’m the visualist/networking/game-master member of bitpop band 7bit Hero. When introducing our weird hybrid gaming/live music project to people, we had trouble explaining how it all works. The band actually wants people to be messing with their phones at our shows?
Perhaps a music video might get the concept across, with BEEEEZ!!!
The first public use of the audio-reactive lighting system I developed for Ableton Live. The lighting of this clip was controlled entirely via the sounds of the music. The individual audio “stems” – vocals, synths, kick drum, snare etc. – were routed to different lighting channels to create a perfectly synced yet organic looking lighting show.
Directed, Shot, Edited and Lighting Programmed by Jaymis: http://jaymis.com
The record label contacted Graetzmedia director Dan wanting “lights and pyro” but only had budget to cover a single flame canon.
So I got to work designing, inventing and fabricating on 3 different setups:
Audio-controlled lighting: With the song stems controlling stage lights.
Flame Tubes: My versions of the classic “Reubens Tube” science experiment, with audio controlling 6 separate channels of propane-tubes.
Sparkler Cannons: To enable model rocket igniters to trigger the difficult-to-burn sparklers, I had to come up with my own mixture of gunpowder.